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类型【址:a g 9 559⒐ v i p】1:陈钧 大小:dhYgZey526724KB 下载:4P6jHHTn91371次
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日期:2020-08-06 13:01:27
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1.【址:a g 9 559⒐ v i p】1  Mephistopheles
2.  It need hardly be said that Goethe's "Faust" does not derive its greatness fromits conformity to the traditional standards of what a tragedy should be. Hehimself was accustomed to refer to it cynically as a monstrosity, and yet heput himself into it as intensely as Dante put himself into "The Divine Comedy."A partial explanation of this apparent contradiction in the author's attitude is tobe found in what has been said of its manner of composition. Goethe began itin his romantic youth, and availed himself recklessly of the supernaturalelements in the legend, with the disregard of reason and plausibilitycharacteristic of the romantic mood. When he returned to it in the beginning ofthe new century his artistic standards has changed, and the supernaturalismcould now be tolerated only by being made symbolic. Thus he makes thecareer of Faust as a whole emblematic of the triumph of the persistent strivingfor the ideal over the temptation to find complete satisfaction in the sense, andprepares the reader for this interpretation by prefixing the "Prologue inHeaven." The elaboration of this symbolic element is responsible for suchscenes as the Walpurgis - Night and the Intermezzo scenes full of power andinfinitely suggestive, but destructive of the unity of the play as a tragedy ofhuman life. Yet there remains in this First Part even in its final form much thatis realistic in the best sense, the carousal in Auerbach's cellar, the portrait ofMartha, the Easter - morning walk, the character and fate of Margaret. It issuch elements as these that have appealed to the larger reading public and thathave naturally been emphasized by performance on the stage, and by virtue ofthese alone "Faust" may rank as a great drama; but it is the result of Goethe'sbroodings on the mystery of human life, shadowed forth in the symbolic partsand elaborated with still greater complexity and still more far - reachingsuggestiveness - and, it must be added, with deepening obscurity - in theSecond Part, that have given the work its place with "Job," with the"Prometheus Bound," with "The Divine Comedy," and with "Hamlet."The Tragedy Of Faust - Dedication
3.  The way is broad, the way is long; What mad pursuit! What tumult wild!Scratches the besom and sticks the prong; Crush'd is the mother, and stifledthe child.
4.  Martha (approaching)
5.  Mephistopheles
6.  Mephistopheles

计划指导

1.  Margaret
2.  The speaker in delivery will find Success alone; I still am far behind.Faust
3.  I thank you; for not willingly I traffic with the dead, and still aver That youth'splump blooming cheek I very much prefer. I'm not at home to corpses; 'tis myway, Like cats with captive mice to toy and play.The Lord
4.  Ha! Ha! Just like yourself! You are, I ween, The same mad wag that youhave ever been!
5.  Mephistopheles
6.  Oberon

推荐功能

1.  (as they draw the stoppers and the wine chosen by each runs into his glass)Oh beauteous spring, which flows so far!
2.  From marshy bogs we sprang to light, Yet here behold us dancing; The gayestgallants of the night, In glitt'ring rows advancing.Shooting Star
3.  Faust
4.  (As the mist sinks, comes forward from behind the stove, in the dress of atravelling scholar) Why all this uproar? What's the master's pleasure?Faust
5.   Mephistopheles
6. Johann Wolfgang von Goethe, the greatest of German men of letters, wasborn at Frankfort-on-the-Main, August 28, 1749. His father was a man ofmeans and position, and he personally supervised the early education of hisson. The young Goethe studied at the universities of Leipsig and Strasburg,and in 1772 entered upon the practise of law at Wetzlar. At the invitation ofKarl August, Duke of Saxe-Weimar, he went in 1775 to live in Weimar,where he held a succession of political offices, becoming the Duke's chiefadviser. From 1786 to 1788 he traveled in Italy, and from 1791 to 1817directed the ducal theater at Weimar. He took part in the wars againstFrance, 1792-3, and in the following year began his friendship with Schiller,which lasted till the latter's death in 1805. In 1806 he married ChristianeVulpius. From about 1794 he devoted himself chiefly to literature, and after alife of extraordinary productiveness died at Weimar, March 22, 1832. Themost important of Goethe's works produced before he went to Weimar werehis tragedy "Gotz von Berlichingen" (1773), which first brought him fame, and"The Sorrows of Young Werther," a novel which obtained enormouspopularity during the so called "Sturm und Drang" period. During the years atWeimar before he knew Schiller he began "Wilhelm Meister," wrote thedramas, "Iphigenie," "Egmont," and "Torquato Tasso," and his "ReineckeFuchs." To the period of his friendship with Schiller belong the continuation of"Wilhelm Meister," the beautiful idyl of "Hermann and Dorothea," and the"Roman Elegies." In the last period, between Schiller's death in 1805 and hisown, appeared "Faust," "Elective Affinities," his autobiographical "Dichtungund Wahrheit" ("Poetry and Truth"), his "Italian Journey," much scientificwork, and a series of treatises on German Art.Though the foregoing enumeration contains but a selection from the titles ofGoethe's best known writings, it suffices to show the extraordinary fertility andversatility of his genius. Rarely has a man of letters had so full and varied a life,or been capable of so many-sided a development. His political and scientificactivities, though dwarfed in the eyes of our generation by his artisticproduction, yet showed the adaptability of his talent in the most diversedirections, and helped to give him that balance of temper and breadth ofvision in which he has been surpassed by no genius of the ancient or modernworld.

应用

1.  General
2.  To - whit! To - whoo! It sounds more near; Plover, owl and jay appear, Allawake, around, above? Paunchy salamanders too Peer, long - limbed, thebushes through! And, like snakes, the roots of treesCoil themselves from rock and sand, Stretching many a wondrous band, Usto frighten, us to seize; From rude knots with life embued, Polyp - fangsabroad they spread, To snare the wanderer! 'Neath our tread, Mice, inmyriads, thousand - hued, Through the heath and through the moss! And thefire - flies' glittering throng, Wildering escort, whirls along, Here and there, ourpath across. Tell me, stand we motionless, Or still forward do we press? Allthings round us whirl and fly; Rocks and trees make strange grimaces,Dazzling meteors change their places, How they puff and multiply!Mephistopheles
3.  Take the whisk and sit down in the settle!
4、  The speaker in delivery will find Success alone; I still am far behind.Faust
5、  Faust

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网友评论(ZhD3tGR215715))

  • 叶兴旺 08-05

      Margaret

  • 邢某某 08-05

      What nonsense doth the hag propound? My brain it doth well - nighconfound. A hundred thousand fools or more, Methinks I hear in chorus roar.Mephistopheles

  • 考彭斯 08-05

       Siebel

  • 布穷 08-05

      Ay, out of sight is out of mind! Politeness easy is to you; Friends everywhere,and not a few, Wiser than I am, you will find.Faust

  • 唐昌文 08-04

    {  Yet such strange fellows in the world must be!Margaret

  • 陈丽娜 08-03

      But small concern I feel for yonder world; Hast thou this system into ruinhurl'd, Another may arise the void to fill. This earth the fountain whence mypleasures flow, This sun doth daily shine upon my woe, And if this world Imust forego, Let happen then, - what can and will. I to this theme will closemine ears, If men hereafter hate and love, And if there be in yonder spheres Adepth below or height above.}

  • 申晓倩 08-03

      And even my own head almost begins to reel.

  • 柳姗姗 08-03

      Orthodox

  • 金不换 08-02

       Alas, I might search far and near, Not quickly should I find another like myfirst! There could not be a fonder fool than mine, Only he loved too wellaboard to roam; Loved foreign women too, and foreign wine, And lovedbesides the dice accurs'd.

  • 韩凯 07-31

    {  Gretchen?

  • 陈黎升 07-31

      Martha

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