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类型【址:a g 9 559⒐ v i p】1:李阿琴 大小:E6YmXp0C74646KB 下载:ym9xD9sc68529次
版本:v57705 系统:Android3.8.x以上 好评:14G06n9331506条
日期:2020-08-08 02:59:06

1.【址:a g 9 559⒐ v i p】1  Mephistopheles
2.  Mephistopheles
3.  I need not tell you how - to close!
4.  People
5.  Mephistopheles
6.  Dance and song


1.  What?
2.  Spirits, I plainly to your face declare: No spiritual control myself will bear,Since my own spirit can exert no sway.
3.  Of what use is the sieve?
4.  Faust
5.  I loathe alike their form and features!
6.  A Drinking Party


1.  Why, this is nothing but a juggler's trick!
2.  Mephistopheles (aside)
3.  Speak frankly, sir, none is there you have met? Has your heart ne'er attach'ditself as yet?
4.  Oh no, though strong the love, I cannot boast much skill.Altmayer
5.   How! goes the fellow on a halting foot?
6.  Mephistopheles


1.  By all rejected love! By hellish fire I curse, Would I knew aught to make myimprecation worse!
2.  Mephistopheles
3.  Right! But o'er - anxious thought, you'll find of no avail, For there preciselywhere ideas fail, A word comes opportunely into play Most admirableweapons words are found, On words a system we securely ground, In wordswe can conveniently believe, Nor of a single jot can we a word bereave.Student
4、  Altmayer
5、  The greatest and most representative expression of Goethe's powers iswithout doubt to be found in his drama of "Faust"; but before dealing withGoethe's masterpiece, it is worth while to say something of the history of thestory on which it is founded - the most famous instance of the old andwidespread legend of the man who sold his soul to the devil. The historicalDr. Faust seems to have been a self-called philosopher who traveled aboutGermany in the first half of the sixteenth century, making money by thepractise of magic, fortune-telling, and pretended cures. He died mysteriouslyabout 1540, and a legend soon sprang up that the devil, by whose aid hewrought his wonders, had finally carried him off. In 1587 a life of himappeared, in which are attributed to him many marvelous exploits and inwhich he is held up as an awful warning against the excessive desire forsecular learning and admiration for antique beauty which characterized thehumanist movement of the time. In this aspect the Faust legend is anexpression of early popular Protestantism, and of its antagonism to thescientific and classical tendencies of the Renaissance.While a succession of Faust books were appearing in Germany, the originallife was translated into English and dramatized by Marlowe. English playersbrought Marlowe's work back to Germany, where it was copied by Germanactors, degenerated into spectacular farce, and finally into a puppet show.Through this puppet show Goethe made acquaintance with the legend.By the time that Goethe was twenty, the Faust legend had fascinated hisimagination; for three years before he went to Weimar he had been workingon scattered scenes and bits of dialogue; and though he suspended actualcomposition on it during three distinct periods, it was always to resume, andhe closed his labors upon it only with his life. Thus the period of time betweenhis first experiments and the final touches is more than sixty years. During thisperiod the plans for the structure and the signification of the work inevitablyunderwent profound modifications, and these have naturally affected the unityof the result; but, on the other hand, this long companionship and persistentrecurrence to the task from youth to old age have made it in a unique way therecord of Goethe's personality in all its richness and diversity.The drama was given to the public first as a fragment in 1790; then thecompleted First Part appeared in 1808; and finally the Second Part waspublished in 1833, the year after the author's death. Writing in "Dichtung undWahrheit" of the period about 1770, when he was in Strasburg with Herder,Goethe says, "The significant puppet - play legend . . . echoed and buzzed inmany tones within me. I too had drifted about in all knowledge, and earlyenough had been brought to feel the vanity of it. I too had made all sorts ofexperiments in life, and had always come back more unsatisfied and moretormented. I was now carrying these things, like many others, about with meand delighting myself with them in lonely hours, but without writing anythingdown." Without going into the details of the experience which underlies thesewords, we can see the beginning of that sympathy with the hero of the oldstory that was the basis of its fascination and that accounted for Goethe'sdeparture from the traditional catastrophe of Faust's damnation.Hungarian March from the "Damnation of Faust"Op.24 by HectorBerlioz(1803 - 1869).




  • 陈林 08-07

      Again hast played the spy?

  • 俞建春 08-07

      Frog and cricket in the mosses, Confound your gasconading! Nose of fly andgnat's proboscis; Most tuneful serenading!

  • 黄晓兰 08-07

       I know you now, - and therefore will retire; At present you've distinguishedcompany. Pardon the freedom, Madam, with your leave, I will make free tocall again at eve.

  • 漆青 08-07


  • 徐伟英 08-06

    {  Would you could better occupy your leisure, Than in disturbing thus my hoursof joy.

  • 江曲 08-05


  • 梁爽 08-05

      If it so please thee, I'm at thy command; Only on this condition, understand;That worthily thy leisure to beguile, I here may exercise my arts awhile.Faust

  • 陶拴科 08-05

      Blood is a juice of very special kind.

  • 伍娟娟 08-04

       An ugly song! a song political! A song offensive! Thank God, every morn Torule the Roman empire, that you were not born! I bless my stars at least thatmine is not Either a kaiser's or a chancellor's lot. Yet 'mong ourselves shouldone still lord it o'er the rest; That we elect a pope I now suggest. Ye know,what quality ensures A man's success, his rise secures.Frosch (sings)

  • 朱昌俊 08-02

    {  Faust

  • 莱文沃思 08-02

      Who lieth here?